This is it… the last post on Something Like Sound. If you followed this blog during its lifetime, thank you. If you just found this randomly, have a look around- there’s a lot here. There really is not much that I can say that hasn’t already been said, so this post will be brief.
As some may know, I am moving to the live music capitol of the world: Austin, TX. This decision is not the result of having too much fun at SXSW, it came about because of my professional career choices and hate of cold weather and snow. Will I start a new blog down there? I don’t really know at this point, but I imagine it’ll be hard for me to just quit a night-job I’ve found so fulfilling over the past 2 and a half years.
The following is a list of things I learned while writing Something Like Sound. Hopefully these will help any other aspiring music bloggers:
- Always carry earplugs: It’s never too early to protect your sense of hearing.
- At outdoor festivals wear sunscreen, drink water, and eat enough to avoid passing out.
- Tell people about things you like, don’t waste your time with things you don’t like: I tried to only focus on the good instead of being negative about what I didn’t like.
- Get enough sleep: I did college without caffeine and never once pulled an academic “all-nighter.” I was able to go to at least 1 show every week and graduated Magna Cum Laude. My secret was being well-rested and fully present in my activities.
- Network, network, network: Especially in music it’s not about how good your writing is or how snappy your photos are, it’s all about who you know. Furthermore, print up some business cards with your basic contact info.
- Be friendly: Always give everyone a fair chance and try to make a good first impression.
- Support your locality: Love the place you live.
I’ll end by thanking a bunch of people: Jake Rezac and Spencer Nelson helped start Something Like Sound and put up with my sometimes-obsessive management of the site. Dave Herrera and everybody at Westword supported this thing before it was really anything at all, and they’ll still be here after I’m gone. Thanks to other Denver music people who will still be here and are awesome (in no particular order): Tiffiny Kallina, Julio Enriquez, Joe McCabe (& the REVERB crew), Erin Barnes (& the Donnybrooks), Jake Martin, Lance Stack, Evan Mellichampe and James Irvine at Vinefield, and Heather Browne. Last, but certainly not least, there’s the musicians who understood what I was about and helped along the way: Zach Tipton, Eric Peterson, The Knew, Danielle Anderson, Lucas Johannes (and everybody at Hot Congress), Jonathan Alonzo, Rande Kamolz, FC/KCSP, Leighton Peterson, and many more.
Sorry to everyone I forgot to thank, and sorry to the bands who submitted stuff that I never got to. The site will remain up indefinitely and our compilations will still be available for free download.
Tim Weilert, Graduate of the Colorado School of Mines, Class of 2011
Oh the subjectivity! Trying to decide on my favorite shows from the last few years is truly a difficult proposition. For this post I’m just going to talk about shows that were not a part of bigger festivals. These shows serve as a sampling of events that had such an impact that I can still remember them today.
Hot IQs – Farewell show at The Bluebird – June 19, 2009: The first Denver band I ever got in to was Hot IQs. I would listen to them on KCSU in Fort Collins when I was in high school. I saw them a few times before their farewell show, and every time was something special. Their at-capacity grand finale at the Bluebird was no exception: burlesque dancers, a Cookie Monster costume, and some of the catchiest pop-rock this city has ever known.
Hot Congress Prevue – Patrick Kelly’s Apartment – October 16, 2009: Pulling up to the ill-kept apartment building on Pearl St. had me second-guessing my choice to go downtown until I got inside and experienced the wild house party thrown by Hot Congress. That night introduced me to a bunch of great acts: Old Radio (now Amazing Twin), Night of Joy, the Jim Jims, and Fissure Mystic.
Everything Absent or Distorted – Farewell show at the Bluebird – October 24, 2009: I cannot remember a more raucous, energetic, and ultimately melancholy show than EAoD’s last big gig. Playing through every song they had ever written (and then some), the 11+ members of EAoD kept going until nearly 3 am.
Brand New – The Fillmore – January 30, 2010: Another throw back to my high school years, Brand New has always had a special place in my music library. As I grew up my tastes changed and Brand New changed along with them. No longer an emo-troupe, they brought their newer style of manic Lonesome Crowded West-inspired music to the Fillmore in a set that celebrated the new while appreciating the old.
Tjutjuna & Fissure Mystic – 7″ Split release at Meadowlark – February 5, 2010: Apart from Dick Dale (king of the surf guitar), the loudest show I have ever been to was Tjutjuna at the Meadowlark. With Woodsman and Fissure Mystic opening, it was certainly a night of intense psych the likes of which I have seldom seen replicated.
Julian Lynch – The Low Key – May 20, 2010: On an unassuming street in north Fort Collins sat a rather normal looking house. This was no ordinary house, it was the residence of Matt Sage who had dubbed it “The Lowkey.” During his time there Matt hosted shows for the underground and experimental alike. I happened to be in Ft. Collins one summer when Julian Lynch came through for a set of experimental tunes. I still remember sitting in that basement taking in the sound and color.
Denver Does Denver 2010 – August 28, 2010: It was fitting that my return from Chicago was marked by a showcase of Denver music and art. Hearing Safe Boating is No Accident take on Pee Pee, Pink Hawks doing Bad Weather California, and the Flobots performing Hot IQs made this an unforgettable event.
Sufjan Stevens – The Paramount – November 2, 2010: Last fall was undoubtedly the hardest academic semester I ever undertook. This had me feeling down on most things, concerts included. Fortunately I was lifted out of my funk by the prolific Sufjan Stevens. This performance helped me realize how magnificent The Age of Adz really is.
Hello Kavita – Farewell show at the Hi-Dive – December 28, 2010: Of all the times I saw Hello Kavita, this one was my favorite. Not only did Roger, Roll open (it was their farewell show too), but Hello Kavita played one of the fullest sets I can recall. From old and new originals, to Steely Dan covers, and a mash-up of “Colorado” with Paul Simon’s “You Can Call Me Al,” it was Hello Kavita at their best.
Bad Weather California – Rhinoceropolis – February 18, 2011: I will close with this show, because it stands as a harbinger of things to come. While I only went to the Rhinoceropolis a few times during the life of SLS, I was always impressed by the nature of the place: it is a venue that encourages innovation. Bad Weather California has played the warehouse space more times than most, and as the group prepares for the release of their new full-length I can’t help but wonder where they’ll go and what kind of audience they’ll reach.
When I started doing this blog video (and audio) interviews coming from the Denver scene were very few and far between. Nowadays it’s great because many other people in town do video interviews. I’ve never been a big fan of reading transcriptions, so I decided to focus most of my reviews on the video format. I got to talk with a lot of great people over the years, here’s a few of my favorites:
Young Coyotes – March 21, 2009: The first interview we ever “officially” did was Young Coyotes. At the time they were just beginning to gain some momentum with a Daytrotter session and trip to SXSW in addition to getting Westword’s “best new band” award.
Danielle Ate The Sandwich – July 13, 2009: Another chat with someone who got big shortly after we talked, Danielle Ate The Sandwich sat down with me before a set at Everyday Joe’s in Fort Collins. Danielle was one of our favorite local acts because her songs were so beautiful, while her live performances captured her quirky humor.
Virgil Dickerson (Suburban Home Records) – July 22, 2009: While this interview isn’t with a band, it is with someone who has had an impact on Denver music. Virgil Dickerson and local label Suburban Home Records had several projects that we covered over the years, including a collaboration with burrito joint Illegal Pete’s.
Reverend Peyton’s Big Damn Band – August 1, 2010: After seeing Rev. Peyton at Warped Tour in Denver in 2009, I couldn’t help but try to get an interview when I covered the tour again in 2011 (this time in Chicago). This one stands out because I think Peyton and his wife were one of the friendliest interview-subjects I ever encountered.
The Knew - September 13, 2010: I know I already talked about The Knew in the last Countdown post, but I think it goes without saying that they’re one of my favorites. After covering a handful of their shows I finally sat down with the group in September of last year before the release of their newest 7″- Before It Ends.
Here’s something I totally forgot about until today. It’s a video I took of electronic musician Baths performing “Flux” at the Impose showcase. Check out his full length Cerulean, it’s quite good.
Somewhere along the way I put aside my point-and-click camera and got serious about concert photography. The first event where I used a DSLR was the 2009 Mile High Music Festival because their photo policy prohibited any other kind of camera in the pits. From there on out I fell in love with the art of photography and tried to capture the experiences I had through photos. Looking back on the last couple of years, here are my favorite 10 shots.
The Fray – MHMF 2009: As someone who had very little experience with a more-professional camera, I was surprised at some of the great shots I got that hot weekend in July of 2009. The Fray closed out my experience at Mile High with a real spectacle: U2′s old stage rig, a big crowd, and a sense of completion.
Monotonix – Monolith 2009: While not a particularly great shot, I will always remember this set from the now-defunct Monolith Festival. It’s the kind of picture that would offend most anyone, therefore it has a certain charm and power that your average concert photo can’t achieve.
Paean – Hodi’s Half Note, December 27, 2009: Being from Fort Collins I found myself up there for the holidays without much to do. When I saw that Danielle Ate The Sandwich was playing a show with a few Act So Big Forest bands at Hodi’s (formerly The Starlight, as I knew it), I said, “Why not?” As it turns out Hodi’s has one of the best light rigs in Northern Colorado. This shot matches great lighting, ambient fog, and perspective in a way that I have seldom replicated.
The Knew – Pulperia release party at the Bluebird, March 6, 2010: At a time when people were just starting to figure out what Something Like Sound was, The Knew were preparing to get big. I ended up seeing the Knew 3 times at the Bluebird (and once at Hi-Dive), and they remain as one of my favorite Colorado acts. I recall seeing this particular shot floating around on their websites for quite some time.
Fellow Citizens – Skylark , October 8, 2010: I saw Fellow Citizens and Old Radio (now Amazing Twin) play two shows at the Skylark within one year. This photo of Fellow Citizens singer Eliza Boote was originally done in color and not cropped, however I edited it for print in the Oredigger newspaper. After looking at the two versions I decided that I liked the black-and-white more- it has a certain aesthetic that is reflective of that time and place.
Andrew W.K. – Warped Tour 2010 (Chicago): I had been to several years of Warped Tours before I decided to live in Chicago last summer, however none of that could prepare me for Andrew W.K. Perhaps one of the most energetic and bizzare performances I’ve ever seen, W.K. thrashed about the stage while putting himself into the most intriguing positions.
Safe Boating Is No Accident – Denver Does Denver 2010: The first show I saw after coming back from Chicago was Denver Does Denver (a fitting return, if I can say so myself). Safe Boating did a set of Pee Pee covers in the Flobots.org community space and something about the lighting in that room lent itself to some really dramatic shots.
Night of Joy – Denver Does Denver 2010: Sometime great photos are purely dumb luck. Another shot for DDD2010, I managed to catch the flash from a camera across the room at the often low-lit Meadowlark. The result: A photo that captures the face-melting nature of a Night of Joy set.
Sufjan Stevens – The Paramount, November 2, 2010: I bought my tickets for Sufjan nearly 4 months before he came to Denver. Fortunately I snagged some primo seats and was able to snap a few shots with my point-and-click. This photo was taken during a reworked rendition of “Seven Swans” which literally took my breath away.
FLASHLIGHTS – Split Cassette release at Larimer Lounge, February 23, 2011: FLASHLIGHTS usually like to party with the house lights down and their special Rande Kamolz-controlled rig in full operation. This, however, makes getting a decent shot of the group a challenge. I decided to experiment with long shutter speeds and zooming out while taking this photo.
I normally don’t do shows on Monday nights, this show at the Hi-Dive a couple weeks ago was a special circumstance. Reading Rainbow was in town from Philadelphia, M. Pyres came down from Fort Collins, and I finally had a chance to catch the newest BPG band SAUNA. Highlights from the evening included an energetic rendition of SAUNA’s “Croctopus,” Matt Sage’s baritone guitar, and the few songs I stuck around for from Reading Rainbow.
I usually get about 1 or 2 music submissions every week. Given my lack of free time I haven’t had a chance to do detailed reviews on every record that passes my ears. In an attempt to “catch up” on reviews, here’s another multi-album music feature.
Woodsman – Rare Forms: A layered, expansive, experimental record with enough structure to avoid self-aggrandizing guitar noodling. As the 5th release from Woodsman in 2 years, it reflects the group’s progress thus far and builds anticipation for the next record. Top track: Serfer
A. Tom Collins – OH NO!: Dirty jazz meets piano meets a whiskey-soaked delivery from a former member of the now-defunct band Machine Gun Blues. The record swings from track to track, slowing down on the intro to “Be My Baby,” picking up again on the laughter-driven “Ants.” Top track: Oh No!
FLASHLIGHTS – Hidden Behind Trees EP: A reverb-drenched electro-pop record that blurs the lines between pop and electronic music, Trees marks FLASHLIGHTS first release on LA-based Binary Records (out June 6th). The 6 tracks mastered by Tjutjuna’s Brian Marcus, mix Sam Martin’s retro synth sounds with Ethan Converse’s aural vocals. Top track: Holidays
Thrifty Astronaut – Caffeine Heartache: If Bob Dylan and Neutral Milk Hotel had a baby it would be Thrifty Astronaut. Distorted acoustic guitar, bright toy-keyboard tones, and lyrics about girls (who have lip rings and like boys who huff glue), and middleclass suburban drudgery mix into a sometimes delightful, sometimes heart wrenching experience. Top track: Middleclass Suburban Teenager Blues
Fingers of the Sun – Fingers of the Sun: If the 1960′s had never ended, there might be more bands that sound like Fingers of the Sun. Expanding from their debut EP, the self-titled Fingers of the Sun LP features sunny instruments and lyrics that would fit well in the Haight-Ashbury neighborhood of years gone by. Top track: Cup of Tea
Red Fox Run and the Oak Creek Band teamed up with anti-human trafficking organization Love 146 for a night of art and music at Casselman’s. I was on hand to support their cause and to get some great photos. You can catch Red Fox Run on May 13th at the Meadowlark as a part of the Something Like Sound Farewell Showcase.
Red Fox Run
Oak Creek Band
In 2008 artists from the Athens, GA-based Elephant 6 Recording Company set out on a tour during the holiday season. The aptly titled “Holiday Surprise Tour” featured members from the collective’s groups went across the country, but did not visit Denver. Back in March, right before I went to SXSW, the Elephant 6 Orchestra made its Denver debut with an astonishing 3-set performance at the Larimer Lounge. Although I’m not really sure which holiday this Holiday Surprise Tour was celebrating, the evening was certainly an unforgettable night of great music. For more on understanding E6, check out the AV Club’s beginner’s guide to E6. To hear a recording of the show hop over to The Flat Response. In the meantime enjoy these photos.
One of the best parts of my spring break trip to SXSW in Austin was the chance to see a bunch of new acts that I had never heard before. Apart from apparent similarities in style, I recognized another interesting trend: many of the bands I found most intriguing were from Canada. Memoryhouse, GOBBLE GOBBLE, Two Bicycles, and BRAIDS were just a few that had come down from the wintery north to play the festival. This week’s review will take a look at several releases from the aforementioned groups.
BRAIDS – Native Speaker: Clean, shimmery instruments match singer Raphaelle Standell-Preston’s soft-yet-potent voice throughout this 7-track record. Album opener “Lemonade” uses tap-delayed guitar to build into beautiful and catchy chorus. Title track “Native Speaker” is the other stand-out song with more soft piano and subtle electronic features.
GOBBLE GOBBLE – Lawn Knives 7”: Probably the wildest set I saw at SXSW, GOBBLE GOBBLE is known for their energetic live show. “Lawn Knives” and B-side “End of Days” are recorded proof of this group’s energy. A cacophony of electronic blips, beats, and vocals keeps this single bouncing along with a vigor that demands a replay.
Memoryhouse – Caregiver 7”: While the A-side to this single is good, it was B-side “Heirloom” that got me in to Memoryhouse in the first place. A mix of 80’s pop sensibility, modern shoegaze, and strong female vocals show up on nearly every Memoryhouse song in a way that is both haunting and beautiful. Also check out Memoryhouse’s EP titled The Years.
Two Bicycles – The Ocean: An instrumental record from the Teen Daze side-project Two Bicycles, The Ocean is an hour of music that sounds like it could be the soundtrack to a great indie-film. “I’m Not Afraid To Wait For You” breaks from the ambient nature of the record to focus on warm guitar and layering that build into a semi-crescendo.