Tag: A. Tom Collins
I usually get about 1 or 2 music submissions every week. Given my lack of free time I haven’t had a chance to do detailed reviews on every record that passes my ears. In an attempt to “catch up” on reviews, here’s another multi-album music feature.
Woodsman – Rare Forms: A layered, expansive, experimental record with enough structure to avoid self-aggrandizing guitar noodling. As the 5th release from Woodsman in 2 years, it reflects the group’s progress thus far and builds anticipation for the next record. Top track: Serfer
A. Tom Collins – OH NO!: Dirty jazz meets piano meets a whiskey-soaked delivery from a former member of the now-defunct band Machine Gun Blues. The record swings from track to track, slowing down on the intro to “Be My Baby,” picking up again on the laughter-driven “Ants.” Top track: Oh No!
FLASHLIGHTS – Hidden Behind Trees EP: A reverb-drenched electro-pop record that blurs the lines between pop and electronic music, Trees marks FLASHLIGHTS first release on LA-based Binary Records (out June 6th). The 6 tracks mastered by Tjutjuna’s Brian Marcus, mix Sam Martin’s retro synth sounds with Ethan Converse’s aural vocals. Top track: Holidays
Thrifty Astronaut – Caffeine Heartache: If Bob Dylan and Neutral Milk Hotel had a baby it would be Thrifty Astronaut. Distorted acoustic guitar, bright toy-keyboard tones, and lyrics about girls (who have lip rings and like boys who huff glue), and middleclass suburban drudgery mix into a sometimes delightful, sometimes heart wrenching experience. Top track: Middleclass Suburban Teenager Blues
Fingers of the Sun – Fingers of the Sun: If the 1960′s had never ended, there might be more bands that sound like Fingers of the Sun. Expanding from their debut EP, the self-titled Fingers of the Sun LP features sunny instruments and lyrics that would fit well in the Haight-Ashbury neighborhood of years gone by. Top track: Cup of Tea
When I walked in Casselman’s Bar & Venue off Walnut St in LoDo, it was definitely a change from the sticky beer floors, the 1o foot wide stages, and graffiti covered bathroom stalls that I was used to. I’m not saying I was uncomfortable, I’m just saying it was an adjustment. I mean, they had a man in the bathroom to turn the water on for you and smell you to see if you needed cologne. But once I had scoped out my environment and found a group of hipsters to stand near (notice I said “near,” they still haven’t accepted me as their own), I grabbed a Newcastle Brown Ale and prepared myself for Vinefield Agency’s lineup for the night.
The next band reminded me that this was a showcase, which in my mind is the concert equivalent of that sampler you order when you want to please everyone in your party of six, a little bit of hot wings, chicken strips, avocado egg rolls, mozzarella sticks, etc. Sitting behind her piano Rachel James played with passion and sang the pop melodies that make her so appealing. Even with the absence of their usual guitar edge, the Rachel James Project provided the energy to follow a much more rock-sound without missing a beat.
I’m not sure if I’ve ever posted about a PR agency, but then again I’ve never encountered a group with the far-reaching appeal and artist roster of the Vinefield Agency. As a way of kicking things off in style, they’ve put together a showcase for some of Denver’s most talented acts (well, at least the groups they represent). Just a quick glance at the flier lineup was enough to catch my attention (i.e. it’s super stacked and also a ridiculously cheap ticket). The Vinefield Showcase will be happening this Friday (October 15) at Casselman’s and features The Knew, Achille Lauro, John Common & Blinding Flashes of Light, A. Tom Collins, 200 Million Years, and at least 6 more acts. Tickets are just $5 presale and $10 day-of (click on the flier for more details).