Due to a combination of technical limitations and laziness/busy-ness, here’s the interview I did with Candy Claws last month (better late than never). While some of the references may be out of date (Hidden Lands came out August 3, go get a copy if you still haven’t got it) it’s still a great chat. During this interview we talked about what went in to Hidden Lands, highlights from their tour, and expanding the group from 2 to 8 players.

Somewhere between shoe-gaze and surf sits Candy Claws, a Fort Collins dream-pop band that has garnered national attention with their recent tour and newest record Hidden Lands.

Similar to the group’s previous record In the Dream of the Sea Life, the new disc was inspired, in part, by a book: Richard M. Ketchum’s The Secret Life of the Forest. I used the phrase “in part,” because the band’s own personal experiences living on the cusp of the Rocky Mountains also had a role to play in inspiring a record full of ambient dreamscapes and ethereal melody.

Hidden Lands is one of those records that can be approached in two ways: active listening or passive enjoyment. At the time of this review I have listened to this album at least 7 or 8 times and each experience has been different. Initially it was all fresh; previously unknown sounds floated through the room. Upon repeat listening I became cognizant of the whispery lyrics and finer details.

A certain ebb and flow winds its way through the songs; some are long, slow considerations of time (“In the Deep Time”) while others pulse with the life of natural things such as sunlight or trees (“Sunbeam Show” and several others).

In the end, there are certain tracks that stand out for one reason or another. “Sunbeam Show” has its majestic chorus theme and “The Breathing Fire” has spacey synth and surf beats that sound  like The X-Files meets Pet Sounds. “Sun Arrow” rounds out my shortlist of best tracks on Hidden Lands because it has a great part where plucked strings transition into fuzzed out guitar.

Hidden Lands comes out August 3 via twosyllable records. CD and LP versions of the album can be pre-ordered via the twosyllable webstore and the track “Sunbeam Show” can be streamed/downloaded below (via P4K). For more Candy Claws click here.

I started off my night at the Skylark Lounge for Fort Collins’s Sour Boy, Bitter Girl. This indie-folk band performed really well, and was a good start for the UMS – a local band who shows their passion for music each time they play, reminiscent of all the great local bands performing this weekend. After the FoCo group, I strolled to the Hi-Dive to see the solo act of Jeremy Messersmith. Messersmith started off his set playing acoustic guitar and singing over a recorded drum beat. His relaxed tunes at times channeled Neil Simon.

After 4 or 5 songs of Messersmith, I decided to head back to the Skylark and check out FoCo band Paean. This group was very intriguing; featuring occasionally non-standard instruments (at one point, there were 3 guitars, a violin, and a bass on stage), the band made a lot of noise. They created brilliantly-structured soundscapes, and filled the Skylark with their avant-rock sounds. I when Paean had finished, I stuck around for Good Evening Titan. Their bright and poppy melodies were another great addition to the night’s shows. I had never heard this group before, but am looking forward to seeing their dancy and upbeat guitar and synth-driven music again.

Next, I ventured back to the Hi-Dive for Shapes Stars Make!, a band from Texas which gave my favorite set of the night. The group draws easy comparison to Explosions in the Sky, if Explosions occasionally sang. Despite their similarity, watching the intensity with which they played was fantastic. I was very sad when they stopped play, after having only heard a few of their songs.

Because Shapes Stars Make! had finished a bit earlier than expected, I was able to catch The Swayback at 3 Kings Tavern. The venue was packed, filled with fans who fully appreciated the energetic punk-rock sounds of the group. After a few songs, however, their set was also over, and it was back to the Skylark for SLS-favorite Candy Claws.

I’ve seen Candy Claws a number of times this summer, heard reviews from friends of their recent sets in Chicago and Somerville, MA, and each time it seems like their a different – but better –  band. The dream-pop landscapes they produce are joyous and relaxing, and it seems like they’re finally getting their due. The Skylark was absolutely packed with people eager, and pleased, to hear FoCo’s newest buzz band.

After a great Candy Claws set, we stuck around for Roger Roll. Eric Peterson (who will have played at least 5 sets when the UMS ends on Sunday and receives the honor of Denver’s hardest working  musician) fronts this band, which also features Corey Teruya (of Hello Kavita) on bass and a viola and cello. We saw Roger Roll not too long ago at the Hi-Dive, where potential for brilliance was obvious, with the performance not quite matching the song-writing. At the Skylark, however, the group was much more cohesive and the beautifully-written lived up to their promise. It’s exciting to hear such deliberately well-crafted songs, and I’m looking forward to more Roger Roll music in the future.

Finally, it was back to the Hi-Dive for one last band – Paper Bird. As always, this Americana band is fun to listen to and a joy to see live. The Hi-Dive at midnight, however, wasn’t the sort of place where they really shine through. So, after a long first day at the UMS, I ventured back to Golden after 4 or 5 Paper Bird songs, excited to hear them again later on Friday.

Words and photos by Jake Rezac. More coverage from the UMS to come…

“I feel like reviews are going to be written about this song,” said Candy Claws front man Ryan Hover before the group dove in to their set’s finale, “Lantern Fish.” After all, the sold-out show was an official after party location for the Pitchfork Music Festival. Coming on the heels of being featured a couple times on the Chicago-based music-blog-giant, there were expectations that had to be met.

Jumping back to the beginning of their set, the side conversations humming through The Empty Bottle became hushed as “Sunbeam Show” basked the venue in dreamy sound. From there it was a beautiful and hypnotic experience.

The Chicago date of Candy Claws’ “Eternal World Tour” came just days after the group was dealt an unfortunate loss. While driving on I-76 through Pennsylvania, one of their cars caught fire, consuming much of their gear, merch and possessions. They have been pressing on, playing the remaining dates with borrowed equipment.

Having seen them before (and being quite familiar with their recorded works), I feel it sufficient to say that Candy Claws sounded like… well, Candy Claws. Being able to perform under the given circumstances and maintain such a positive outlook and cohesive sound has definitely brought this group up a notch in my book.

Bird Talk  (a local Chicago group) and Best Coast (a surf pop trio from L.A.) also played that night. Both groups were enjoyable, though definitely not of the same ilk as Candy Claws. Bird Talk reminded me of The Beach Boys mixed with a little Jan & Dean (with more attitude); while Best Coast was just a really solid indie-pop-rock band.

Click for more photos | Candy Claws | Bird Talk | Best Coast

Candy Claws still needs your help to recover from their car incident. Please consider donating here.

This is another video from the Candy Claws show last weekend. I finally got around to sorting and editing photos, so expect to see those soon. The song is “On The Bridge” a new tune from Hidden Lands, out August 3.

While I start to work on the huge pile of photos that need to be edited and sorted, I thought I’d post the first of several videos recorded at The Empty Bottle last night. “Catamaran” has to be one of my favorite Candy Claws tracks, and unfortunately this footage doesn’t really do it’s live rendition a proper justice. That said, go see Candy Claws in person when they come to your town so you can get the full experience.

THURSDAY, JULY 22

Act So Big Forest Showcase (Skylark, 7pm-12am): Featuring some of the best music that Fort Collins has to offer, the Act So Big Forest collective has their own showcase during the UMS. Swing by the Skylark any time on Thursday to catch the likes of Good Evening Titan, Paean, Sour Boy Bitter Girl, and Candy Claws. Roger, Roll will be closing out the evening’s showcase.

Hot White (3 Kings, 9pm): Don’t be surprised if somebody gets a beer thrown at them during Hot White’s set. The trio packs quite a punch and doesn’t take crap from anybody.

Ian Cooke Band (Hi-Dive, 11pm): The always enjoyable Ian Cooke will be playing a full band set. Hopefully he’ll play “Spicy Chicken Crunchwrap Supreme” or whatever that song is actually called.

Paper Bird (Hi-Dive, 11:55pm): Why not end the evening feeling joyful? Paper Bird takes on the Hi-Dive’s closing spot on Thursday but will also play a set at 7:30 pm on Friday at the Goodwill lot stage.

FRIDAY, JULY 23

A Mouthful of Thunder (TS Boardshop, 6:30pm): We haven’t actually had a chance to see Stephen Till’s newest musical project since Hearts of Palm broke up (and started playing again). However, hopes are high for what AMoT’s MySpace page dubs “Christian Rap/Punk/Regional Mexican.”

Action Packed Thrill Ride (Club 404, 7pm): Last time I saw Action Packed Thrill Ride my roommate got me really drunk. As I try to recall, it was pretty great; although the morning after was a bit rough. Maybe this time we’ll all be a little more sober (or maybe not?).

Kaiser Cartel (Hi-Dive, 8pm): I saw KaiserCartel a couple times during last year’s UMS. The Brooklyn-based duo is one of the few out-of-town acts playing, so be sure to catch this set.

Lil Slugger (Brown Barrel Tavern, 9pm): These guys are the only band I know that has their own series of comics. Also, a free full length album to download via Hot Congress.

11:55pm: Take Your Pick: Why do they always do this? There are definitely more than 4 bands I’d like to see all playing at the same time. Oh well, catch them if you can. Houses (Hi-Dive), Achille Lauro (Club 404), Fellow Citizens (Skylark), Young Coyotes (Irish Rover) and more.

]]> http://minesblog.com/music/2010/07/16/ums-preview-who-722-723/feed/ 3 http://minesblog.com/music/2010/06/27/2010-wwshowcase/ http://minesblog.com/music/2010/06/27/2010-wwshowcase/#comments Sun, 27 Jun 2010 17:04:32 +0000 Jake Rezac http://minesblog.com/music/?p=2338

This year’s Westword Music Showcase was a balancing act between seeing groups we’d never seen before and old favorites. The day’s schedule put some of our favorite groups on during the same time-periods, as well as pitting groups we’d heard great things about against groups we knew to be spectacular. The solution we decided on was this: with a few exceptions, we’d spend no more than 25 minutes at a particular set, giving us time to rush to other shows going on at the same time and catch the end of their act. While we hated to leave some of our favorite acts early, we also got to see a good portion of Denver’s amazing music scene.

Mike Marchant

We started the day off at Bar Standard for Mike Marchant’s set. As always, the passionate playing of Marchant and the rest of his band was emotive and powerful. The group ended their set with a medley of songs. As always, Marchant’s much-vaunted songwriting ability and huge stage presence provided a great way to kick off the day.

Houses

Every Houses show seems to be exponentially better than their last, and we couldn’t resist sticking around the Bar Standard to catch the beginning of their act. Although the massive band was playing on a stage the size of a small apartment’s living room, their presence filled the whole of the venue. The venue filled up as Houses took the stage, and the group’s unique combination of indie and classic rock didn’t disappoint. Sadly, after we heard some of our favorite songs, we faced our first scheduling conflict of the day and left to see Achille Lauro.

Achille Lauro

This band has become much better live since last time we saw them. They easily filled up the huge space of the Curious Theatre and the on-stage banter between band members filled a void that was present in the past. Although we only caught the end of the set, we were happy to hear some of our favorite songs – “No Breaks” and “Friend’s War,” included in the mix.

Danielle Ate the Sandwich

Though we’ve seen Danielle countless times, with her being up next in the Curious, we couldn’t help but stay for a few of her songs. Charming as ever, Danielle was joined by her occasional bassist Dennis for what is always a treat. We heard a few delightful and quirky songs from her upcoming album Two Bedroom Apartment before leaving for the next act.

Kinetix

After the soothing and relaxed playing of Danielle Ate the Sandwich, Kinetix’s set at City Hall was auditory whiplash. Kinetix may be, musically, the polar opposite of every band we’d seen so far, but the passion and energy they played with easily allowed us to switch gears. While their style makes it temping to call them a jam band, Kinetix is much more than this – interesting and catchy hooks combined well with a powerful beat that got a packed crowd moving. This was the most exciting act we’d seen all day, and kept us going as the day wore on.

Accordion Crimes

Next was Accordion Crimes at Sutra. An incredibly high-intensity band, Accordion Crime’s music matched the packed, hot, and sweaty atmosphere of Sutra. The group was extremely tight and blew us away with their musicality. Despite a few technical hic-ups, the show was very powerful and passionate.

Ian Cooke

The Curious Theatre was running a few minutes later than most of the other venues and we were lucky enough to catch the end of Ian Cooke’s set. Having seen Cooke’s solo set a few weeks ago at the D-Note, it was amazing to see how different he was with a full band. The full band provided a much fuller sound to the songs and gave a wholly different character. Songs that are beautiful from their simplicity in his solo act become beautiful from their exceptional orchestration in his full set. The two or three songs we saw from Cooke were enough to remind us of his incredible musical talent.

Hello Kavita

The 4:15-5:00 slot provided another tough choice – favorites Hello Kavita, Candy Claws and Astrophagus were playing, exceptional national act Neon Indian started at 4:30, and a number of great bands we’d not seen live were playing at the same time slot. While we wanted to get to as many of these bands as possible, we just couldn’t skip the exceptional band Hello Kavita at the Curious. Their set started off a bit disappointingly, their first song or two not being as clean as we’re used to. However, the band seemed to make a few adjustments as their act went on, and the relaxed pop sounds of the band filled the air of the Curious Theatre and made us remember why we like this band so much. Forced to move on to the next act after a few songs, we were very sad to have to miss the end of Hello Kavita’s set.

Candy Claws

Candy Claws’ almost indescribable music is a great treat, and we were happy to head to Vinyl to see their ethereal poppy set. The band seems extremely focused and professional when they perform, but the music they play has a tone of unbridled, child-like joy. The huge band barely fit on the stage they were put on, but they were still able to delight the audience. Their less-than-standard approach to pop music was a perfect preface to Neon Indian, playing on the main stage.

Neon Indian

Neon Indian’s minimalistic psychedelic pop filled the air as we entered the main stage for the first time. While the large crowd enjoyed the music, Neon Indian isn’t fit for an outdoor stage. Too much of the group’s brilliant music was lost due to crowd noise and a lack of boundaries to contain it. Certain sounds, subtle and masterful in their recorded music, were overpowering in the outdoor stage. As such, we left after a few songs, heading indoors again.

Chain Gang of 1974

City Hall was packed for the super-intense music of Chain Gang of 1974. Both die-hard fans and newcomers filled the venue, dancing and screaming to the up-beat music of Kamtin Mohager and back-up musicians. Mohager is more of a rock star than anyone else in the Denver music scene, strutting around the stage like Keith Richards and filling the stage with an intense presence. More importantly, his intensity backs up his music, which is at times psychedelic, at times punk, and at times pop, but always dancy and powerful. This was quite the switch from the previous few groups we’d seen, but it was a welcome change and a great way to set the mood for the passionate performers we’d end our night with.

John Common and the Blinding Flashes of Light

With the Curious Theatre still running a bit late, we were able to catch the end of John Common and the Blinding Flashes of Light’s set. It was standing room only in the venue and the huge crowd wasn’t disappointed. The group lived up to its name, as their intensity of playing was almost disorienting. Although we only caught the last few songs the group played, we’re already looking forward to seeing them again when the UMS comes in July.

Snake Rattle Rattle Snake

While the Curious was full for John Common, it seemed to overflow when Snake Rattle Rattle Snake took the stage. The group brought the crowd to its feet by halfway through its first song, and the band’s pounding dance rhythms kept the audience dancing the whole way through. While we had originally wanted to see some other groups playing at the 6:15 time slot, Snake Rattle Rattle Snake’s music kept us glue to their set (and had we wanted to leave, the massive crowd seemed un-navigable). Easily the highest-energy group of the day, Snake Rattle Rattle Snake was a great way to end the local portion of the showcase.

Superchunk

After seeing an incredible group of Denver musicians, Superchunk’s indie rock/punk playing seemed a bit lacking in intensity. Perhaps this was due to them being outdoors, but the group’s fabled energy didn’t seem to come across. Still, the music was excellent, and more than made up for their lack of intensity.

Ghostland Observatory

Finally, after a surprisingly short wait, the headliners come on the main stage. Ghostland Observatory is famed for their amazing light shows and huge stage presence, and their performance on Saturday showed how deserving of that fame they truly are. While their music was not our favorite style, the performance nevertheless made it a show worth going to. After a long day, only an exceptional show could have kept us interested – and Ghostland Observatory provided exactly what we needed.

“It’s a city holiday today, right?” said a young woman parking her car on S. Broadway Saturday morning. “It’s the Westword Music Showcase – we must be able to park for free!” That sort of passion for music and love for the Denver music scene was the highlight of the day. Each concert we’ve been to since last year’s Westword has seemed to be better than the last, and this year’s showcase was a culmination of the great music scene Denver continues to develop.

Check out The Flat Response for some great recordings from Saturday’s concert, including Snake Rattle Rattle Snake, Dirty Projectors, Flashbulb Fires, and Superchunk. http://www.theflatresponse.com/

Danielle Ate The Sandwich

Seeing Danielle Ate The Sandwich is always a treat. Her stunningly beautiful voice and equally matched lyrics tend to leave me awestruck. Unfortunately for Danielle about 3/4 of the patrons at the D-Note were more interested in eating their pizzas than paying any attention to the musician on stage. However she wasn’t one to succumb to the ornery crowd and made light of the situation.

Ian Cooke

Avant-pop cellist/singer-songwriter Ian Cooke was in a casual mood when he took the stage. His set brought the crowd songs about large, flightless Australian birds (and their fruit bat lovers), spicy chicken cruchwrap supremes, in addition to several of his more popular tunes (Vassoon, Music, and Darkening are always my favorites).

Candy Claws

By the time Candy Claws took the stage, the crowd had dwindled to a few committed fans (in fact, there were almost more people on stage than in the crowd). However, the 7 members of Candy Claws appeared unfazed by the poor turnout and proceeded to play several new songs from their upcoming album Hidden Lands. However, they didn’t just play new material; their performance of “Catamaran” was the highlight of the evening.

To see more photos click here.

Vampire Hands with Woodsman & Tjutjuna (5/26 at Hi-Dive):  This $6 show pairs 2 of Minneapolis’s finest experimental rock bands with 2 of Denver’s best. Expect to hear new material from both Woodsman and Tjutjuna since both groups have new releases coming out soon (or already out).

DU May Days Musicfest feat. Shiny Toy Guns & Chali 2na (5/27 at Driscoll Greens): Nothing says awesome quite like “free.” The DU May Days Musicfest is great for several reasons: 1. The bands (the lineup is pretty solid and keeps getting better every year). 2. Free food (usually better than what you’d expect). 3. It reminds CSM students that we haven’t been in school for the past month and that DU still has another couple weeks to go.

Danielle Ate The Sandwich, Ian Cooke, & Candy Claws (5/28 at D-Note): Arvada won’t know what hit them after this show. It’s an invasion of sorts: Fort Collins folk singer-songwriter Danielle Ate The Sandwich will bring her unique ukulele styling while fellow Ft. Collinites Candy Claws play their unique style of ambient-indie-dream-pop. Ian Cooke’s amazing cello work will tie everything together quite nicely.

Hot Congress & Long Spoon block party (6/5 at Meadowlark & Larimer Lounge): This mini-music-fest showcases some of the best in what Denver’s music collectives have to offer. The lineup is ridiculously stacked and the evening’s events will feature prize giveaways and food vendors. For more information and a more in-depth preview of the block party visit the Hot Congress website.

Westword Music Showcase (6/19 in the Golden Triangle neighborhood): Westword just announced the full lineup for their annual music showcase and it is shaping up to be the don’t-miss event for June. They’re basically taking over an entire neighborhood for a day of great music and entertainment. Added bonuses this year include cheap tickets (only $15 in advance), more all-ages venues and a VIP option.