Tag: Danielle Ate The Sandwich
When I started doing this blog video (and audio) interviews coming from the Denver scene were very few and far between. Nowadays it’s great because many other people in town do video interviews. I’ve never been a big fan of reading transcriptions, so I decided to focus most of my reviews on the video format. I got to talk with a lot of great people over the years, here’s a few of my favorites:
Young Coyotes – March 21, 2009: The first interview we ever “officially” did was Young Coyotes. At the time they were just beginning to gain some momentum with a Daytrotter session and trip to SXSW in addition to getting Westword’s “best new band” award.
Danielle Ate The Sandwich – July 13, 2009: Another chat with someone who got big shortly after we talked, Danielle Ate The Sandwich sat down with me before a set at Everyday Joe’s in Fort Collins. Danielle was one of our favorite local acts because her songs were so beautiful, while her live performances captured her quirky humor.
Virgil Dickerson (Suburban Home Records) – July 22, 2009: While this interview isn’t with a band, it is with someone who has had an impact on Denver music. Virgil Dickerson and local label Suburban Home Records had several projects that we covered over the years, including a collaboration with burrito joint Illegal Pete’s.
Reverend Peyton’s Big Damn Band – August 1, 2010: After seeing Rev. Peyton at Warped Tour in Denver in 2009, I couldn’t help but try to get an interview when I covered the tour again in 2011 (this time in Chicago). This one stands out because I think Peyton and his wife were one of the friendliest interview-subjects I ever encountered.
The Knew - September 13, 2010: I know I already talked about The Knew in the last Countdown post, but I think it goes without saying that they’re one of my favorites. After covering a handful of their shows I finally sat down with the group in September of last year before the release of their newest 7″- Before It Ends.
South By South-West (SXSW) was two weeks ago, and I have only now found time to write down some of my thoughts. Life has been busy, but this post is better late than never. Without further ado: The Best and Worst of SXSW 2011
Showcase: Impose Magazine (3/18 at the Long Branch Inn)
Baths and his impressive digital skills
The heart of SXSW is discovery. I stumbled upon this showcase after a day of hanging out with FLASHLIGHTS and the crew from Speaker Snacks and I stayed after they left for the evening. Impose‘s lineup was the kind which could be a festival all its own- featuring GOBBLE GOBBLE, Braids, Baths, Weekend, Cloud Nothings, and No Joy. An eclectic mix of dance, electronic, punk, and lo-fi kept me intrigued and waiting for the next act. See more photos here.
Sets: The Strokes (3/17 at Auditorium Shores) & Memoryhouse (3/17 at Swan Dive)
The packed crowd at The Strokes
There were so many great sets during the week that I couldn’t choose just one to feature. The Strokes, those mainstream, larger-than-life rock stars showed their gusto by headlining the Auditorium Shores stage (one of the largest at SXSW) and cemented their spot with a full fireworks display during their finale.
Canadian chill-group Memoryhouse bathed in blue light
One group that I made an effort to see was Memoryhouse. After being taken with their recent 7″ a few months ago, I determined that I wanted to see them live. Turns out they’re even better live than on the recordings. Their set at the excellent Brooklyn Vegan showcase allowed me to cool off from the heat of the day and bask in the soothing music.
Place to park: East of I-35
The neighborhoods surrounding the historic French Legation Museum had some prime parking spots. Being east of I-35 ensured that the typical downtown traffic was less and the relative lack of “no parking” signs was encouraging. Furthermore, our car never got towed, ticketed, or broken in to. Last, but not least, from the museum it was only a short walk to get to 6th downtown, or any number of spots on the east side (including the Long Branch Inn, Cheer Up Charlie’s, and the Fader Fort). Only complaint: you had to get there early to snatch a spot
Free booze: New Belgium Fat Tire beer at SpokesBuzz party
Fort Collins’ian Danielle Ate The Sandwich at the beer-lover’s favorite party
Maybe it’s because I grew up in Fort Collins, maybe it’s because they make a damn good beer; in either case the free Fat Tire from New Belgium hit the spot at the SpokesBuzz party. There were also some great Colorado-local acts there (including blog-favorite Danielle Ate The Sandwich). Next year, when I’m living in Austin, I will go to any party that has free Fat Tire.
Free food: Rachael Ray’s party
Rachel Ray’s party had a marked lack of hipsters
Where to start… perhaps the fajitas, or the chili, or the burgers, or any number of other fantastic snacks made food-personality Rachael Ray my favorite person on our last day in Austin. While the music was not quite up to my tastes, the food certainly was. Add free Blue Moon and margaritas to the mix and it was all worth it.
Way to spend your time: Standing in line for Purevolume House & Fader Fort
Toro Y Moi played the Fader Fort… although waiting in line sucked
We got in to Austin on the Monday of SXSW. We spent Tuesday standing in lines. For 5 hours we waited to get wristbands to the “super-exclusive” (read: over-rated) parties thrown by Fader and Purevolume. The worst part: We didn’t even go to any of the mediocre showcases at Purevolume and I only went to Fader once for Toro Y Moi.
Mode of transportation: Walking
So many sore legs
Being on your feet for an entire day is one thing, walking around on the concrete for 6 days is just masochistic. If it weren’t for the logistical nightmare, we would have all been riding bicycles and saving our energy for more important things (read: drinking). I suppose walking wasn’t the absolute worst mode of transport, I saw some pretty dorky looking people riding Segways.
Decision of the week: No sunscreen on the first day
Charlie Sheen called, he wants his look back
That’s me after our week in Austin and 16 hour car ride home. Do I look burnt out? Sure I do! The entire week would have been much more pleasant if I hadn’t gotten sunburned the first day while waiting in endless lines. Be safe kids, wear sunscreen at SXSW. Note to future companies who want my respect/business at SXSW: In addition to giving away free booze, give out some sunscreen too.
Hangover: The day after the Sony party
Technology giant Sony threw a party to show off their fancy TVs and computers, we showed up just because they had one of the best open bars at all of SXSW. Unfortunately it was a little too good and the next day felt terrible. It reminded me that drinking in moderation is important, and having a designated driver is even more important (I didn’t drive home that night).
Friday night’s festivities began a little earlier than Thursday’s, and before 7:00pm hit, we were at the Goodwill Parking Lot stage to see blog favorite Danielle Ate the Sandwich. Her set was different than any other set we’d seen her play; sometimes-present band member and double bass player Dennis joined Danielle on stage, as well as a new addition, violinist Chris. While this has been the standard line-up since her new CD came out in early July, it was the first we’d seen of it. The addition of violin and bass added new layers to the music, and, musically, it was possibly the best DAtS show we’d ever seen. However, the awkward charm so often present in previous shows was lessened with the addition of new musicians. Still, things like a cover of Lady Gaga’s Bad Romance along with great new songs made this a fun and charming way to start day two of the UMS.
We briefly walked across the parking lot to see Paper Bird’s second set of the weekend. They were much more at home outdoors, and the few songs we heard were fun and got the modest crowd excited. Having seen most of the songs they played the night before, we went to the TS Board Shop stage to see Accordion Crimes. The group was, as always, incredibly tight. Last time we saw them, some technical issues plagued their set. Those issues being gone greatly added to the performance.
We went next to the Hi-Dive to see, we thought, Kaiser Cartel. However, despite the indication of the UMS pamphlet, Kaiser Cartel was not playing, Dust on the Breakers taking their place (it should be noted that the UMS website noted this change and signs were posted near the box office). Despite the change in bands, it was very enjoyable to hear this band we’d previously not seen.
When 9:00pm hit, we returned to the Goodwill parking lot to see John Common and the Blinding Flashes of Light. The last time we saw this group, it was a super-intense performance. This time, however, was much more relaxed. Still a good performance musically, it lacked the passion we’d come to expect from this band. As such, we wandered back up Broadway, and were immediately attracted to the unrealistically loud music blaring out of Rock the Cradle. Lil’ Slugger (the only band with its own comic book that we know of) was sending its pseudo-punk sounds for at least a block in every direction. While the extreme volume was a good addition to the style of music, the music could have stood on its own. We spent as long as we could in the area before our eardrums burst, and before we knew it, 10:00pm had come.
While The Knew was playing at the Hi-Dive, the huge line coming out of the venue inspired us to find some new groups we’d never heard. As such, we headed down to the Skylark to see Pink Hawks. The crowd was up an moving at this lounge-roots group; while not our favorite type of music, it was obvious that the group was good at what they did. After a few songs, we did some browsing, stopping by each of the venues we passed. Doing this let us catch a song or two by Chris Adolf (of Bad Weather California), Story of the Sea, and Lion Sized. While none of these acts were mind-blowing, the ability to see better-than-average music every few steps was among my favorite parts of the UMS. Any time there wasn’t a group I particularly wanted to see, I could simply walk in a venue in search for a new band to love.
With the line to the Hi-Dive still too long to see These United States (and, eventually, Houses), we wondered around Broadway for a few hours, catching bits and pieces of some spectacular sets. These included Git Some, Hoots and Hellmouth, the Outfit, TaunTaun, and Coles Whalen. Finally, after a number of great sets and a musical break, we wondered into the Mayan Theater for the Nathan & Stephen reunion show. The show was supposed to start around 12:30, which is when the lobby of the Mayan started filling up. However, Houses was playing with two members of Nathan and Stephen. Finally, after a set by local comedian/musician Magic Cyclops, and well after 1:00am, the band took the stage. The high-energy set was well worth the wait. The group played a full set, and ended after around 2:15, but the audience and band seemed to want to keep going forever. This set was the perfect end to the first two nights of the UMS and got us extremely excited for the weekend stretch of the festival.
Finally hearing the new Danielle Ate The Sandwich record is an event that has been a year in the making. It was July last year when I sat down with Danielle to talk about her music, where she had been and where she was going. Since that time I have been fortunate enough to hear the progression and development of many of the songs that made the final cut for her new record Two Bedroom Apartment.
The most readily apparent feature of Two Bedroom Apartment is its ability to connect to the listener on a common level. While the home recorded nature of past DAtS records has been replaced with the clarity of a full studio production and backing musicians, it still feels as though each note was sung in order to evoke emotion.
At various DAtS shows last year I distinctly remember hearing “Canada” and the Joan Baez-esque protest song “Soldier.” Hearing them again provides a bit of nostalgia while new songs such as “Public Property” strike a new chord. Actually, “Public Property” may be my favorite track; it is haunting and beautiful in both sound and lyric.
“I’m not yours anymore / I belong to everyone.”
However, listening to Two Bedroom Apartment isn’t like watching Leonardo DiCaprio drown at the end of Titanic, there are a few lighthearted tunes as well. “We Are Hotdogs” is an older song redone while “El Paso” sings about eating at Weinerschnitzel and watching infomercials.
Two Bedroom Apartment is available July 6 via danielleatethesandwich.net, iTunes. Watch “Public Property” below and “American Dream” after the jump
This year’s Westword Music Showcase was a balancing act between seeing groups we’d never seen before and old favorites. The day’s schedule put some of our favorite groups on during the same time-periods, as well as pitting groups we’d heard great things about against groups we knew to be spectacular. The solution we decided on was this: with a few exceptions, we’d spend no more than 25 minutes at a particular set, giving us time to rush to other shows going on at the same time and catch the end of their act. While we hated to leave some of our favorite acts early, we also got to see a good portion of Denver’s amazing music scene.
We started the day off at Bar Standard for Mike Marchant’s set. As always, the passionate playing of Marchant and the rest of his band was emotive and powerful. The group ended their set with a medley of songs. As always, Marchant’s much-vaunted songwriting ability and huge stage presence provided a great way to kick off the day.
Every Houses show seems to be exponentially better than their last, and we couldn’t resist sticking around the Bar Standard to catch the beginning of their act. Although the massive band was playing on a stage the size of a small apartment’s living room, their presence filled the whole of the venue. The venue filled up as Houses took the stage, and the group’s unique combination of indie and classic rock didn’t disappoint. Sadly, after we heard some of our favorite songs, we faced our first scheduling conflict of the day and left to see Achille Lauro.
This band has become much better live since last time we saw them. They easily filled up the huge space of the Curious Theatre and the on-stage banter between band members filled a void that was present in the past. Although we only caught the end of the set, we were happy to hear some of our favorite songs – “No Breaks” and “Friend’s War,” included in the mix.
Danielle Ate the Sandwich
Though we’ve seen Danielle countless times, with her being up next in the Curious, we couldn’t help but stay for a few of her songs. Charming as ever, Danielle was joined by her occasional bassist Dennis for what is always a treat. We heard a few delightful and quirky songs from her upcoming album Two Bedroom Apartment before leaving for the next act.
After the soothing and relaxed playing of Danielle Ate the Sandwich, Kinetix’s set at City Hall was auditory whiplash. Kinetix may be, musically, the polar opposite of every band we’d seen so far, but the passion and energy they played with easily allowed us to switch gears. While their style makes it temping to call them a jam band, Kinetix is much more than this – interesting and catchy hooks combined well with a powerful beat that got a packed crowd moving. This was the most exciting act we’d seen all day, and kept us going as the day wore on.
Next was Accordion Crimes at Sutra. An incredibly high-intensity band, Accordion Crime’s music matched the packed, hot, and sweaty atmosphere of Sutra. The group was extremely tight and blew us away with their musicality. Despite a few technical hic-ups, the show was very powerful and passionate.
The Curious Theatre was running a few minutes later than most of the other venues and we were lucky enough to catch the end of Ian Cooke’s set. Having seen Cooke’s solo set a few weeks ago at the D-Note, it was amazing to see how different he was with a full band. The full band provided a much fuller sound to the songs and gave a wholly different character. Songs that are beautiful from their simplicity in his solo act become beautiful from their exceptional orchestration in his full set. The two or three songs we saw from Cooke were enough to remind us of his incredible musical talent.
The 4:15-5:00 slot provided another tough choice – favorites Hello Kavita, Candy Claws and Astrophagus were playing, exceptional national act Neon Indian started at 4:30, and a number of great bands we’d not seen live were playing at the same time slot. While we wanted to get to as many of these bands as possible, we just couldn’t skip the exceptional band Hello Kavita at the Curious. Their set started off a bit disappointingly, their first song or two not being as clean as we’re used to. However, the band seemed to make a few adjustments as their act went on, and the relaxed pop sounds of the band filled the air of the Curious Theatre and made us remember why we like this band so much. Forced to move on to the next act after a few songs, we were very sad to have to miss the end of Hello Kavita’s set.
Candy Claws’ almost indescribable music is a great treat, and we were happy to head to Vinyl to see their ethereal poppy set. The band seems extremely focused and professional when they perform, but the music they play has a tone of unbridled, child-like joy. The huge band barely fit on the stage they were put on, but they were still able to delight the audience. Their less-than-standard approach to pop music was a perfect preface to Neon Indian, playing on the main stage.
Neon Indian’s minimalistic psychedelic pop filled the air as we entered the main stage for the first time. While the large crowd enjoyed the music, Neon Indian isn’t fit for an outdoor stage. Too much of the group’s brilliant music was lost due to crowd noise and a lack of boundaries to contain it. Certain sounds, subtle and masterful in their recorded music, were overpowering in the outdoor stage. As such, we left after a few songs, heading indoors again.
Chain Gang of 1974
City Hall was packed for the super-intense music of Chain Gang of 1974. Both die-hard fans and newcomers filled the venue, dancing and screaming to the up-beat music of Kamtin Mohager and back-up musicians. Mohager is more of a rock star than anyone else in the Denver music scene, strutting around the stage like Keith Richards and filling the stage with an intense presence. More importantly, his intensity backs up his music, which is at times psychedelic, at times punk, and at times pop, but always dancy and powerful. This was quite the switch from the previous few groups we’d seen, but it was a welcome change and a great way to set the mood for the passionate performers we’d end our night with.
John Common and the Blinding Flashes of Light
With the Curious Theatre still running a bit late, we were able to catch the end of John Common and the Blinding Flashes of Light’s set. It was standing room only in the venue and the huge crowd wasn’t disappointed. The group lived up to its name, as their intensity of playing was almost disorienting. Although we only caught the last few songs the group played, we’re already looking forward to seeing them again when the UMS comes in July.
Snake Rattle Rattle Snake
While the Curious was full for John Common, it seemed to overflow when Snake Rattle Rattle Snake took the stage. The group brought the crowd to its feet by halfway through its first song, and the band’s pounding dance rhythms kept the audience dancing the whole way through. While we had originally wanted to see some other groups playing at the 6:15 time slot, Snake Rattle Rattle Snake’s music kept us glue to their set (and had we wanted to leave, the massive crowd seemed un-navigable). Easily the highest-energy group of the day, Snake Rattle Rattle Snake was a great way to end the local portion of the showcase.
After seeing an incredible group of Denver musicians, Superchunk’s indie rock/punk playing seemed a bit lacking in intensity. Perhaps this was due to them being outdoors, but the group’s fabled energy didn’t seem to come across. Still, the music was excellent, and more than made up for their lack of intensity.
Finally, after a surprisingly short wait, the headliners come on the main stage. Ghostland Observatory is famed for their amazing light shows and huge stage presence, and their performance on Saturday showed how deserving of that fame they truly are. While their music was not our favorite style, the performance nevertheless made it a show worth going to. After a long day, only an exceptional show could have kept us interested – and Ghostland Observatory provided exactly what we needed.
“It’s a city holiday today, right?” said a young woman parking her car on S. Broadway Saturday morning. “It’s the Westword Music Showcase – we must be able to park for free!” That sort of passion for music and love for the Denver music scene was the highlight of the day. Each concert we’ve been to since last year’s Westword has seemed to be better than the last, and this year’s showcase was a culmination of the great music scene Denver continues to develop.
Check out The Flat Response for some great recordings from Saturday’s concert, including Snake Rattle Rattle Snake, Dirty Projectors, Flashbulb Fires, and Superchunk. http://www.theflatresponse.com/
There have been few shows that were as odd as what I witnessed at the D-Note last night. When I say “odd” I do not mean to imply that the evening was a bad experience; by all means it was a lovely night full of wonderful music. It was just that the circumstances found many of the night’s musicians out of their normal spheres.
Danielle Ate The Sandwich
Seeing Danielle Ate The Sandwich is always a treat. Her stunningly beautiful voice and equally matched lyrics tend to leave me awestruck. Unfortunately for Danielle about 3/4 of the patrons at the D-Note were more interested in eating their pizzas than paying any attention to the musician on stage. However she wasn’t one to succumb to the ornery crowd and made light of the situation.
Avant-pop cellist/singer-songwriter Ian Cooke was in a casual mood when he took the stage. His set brought the crowd songs about large, flightless Australian birds (and their fruit bat lovers), spicy chicken cruchwrap supremes, in addition to several of his more popular tunes (Vassoon, Music, and Darkening are always my favorites).
By the time Candy Claws took the stage, the crowd had dwindled to a few committed fans (in fact, there were almost more people on stage than in the crowd). However, the 7 members of Candy Claws appeared unfazed by the poor turnout and proceeded to play several new songs from their upcoming album Hidden Lands. However, they didn’t just play new material; their performance of “Catamaran” was the highlight of the evening.
To see more photos click here.
It’s warm outside, so that means it’s time to go out and hit the shows. Here are a few that feature stellar poster-art and great lineups.
Vampire Hands with Woodsman & Tjutjuna (5/26 at Hi-Dive): This $6 show pairs 2 of Minneapolis’s finest experimental rock bands with 2 of Denver’s best. Expect to hear new material from both Woodsman and Tjutjuna since both groups have new releases coming out soon (or already out).
DU May Days Musicfest feat. Shiny Toy Guns & Chali 2na (5/27 at Driscoll Greens): Nothing says awesome quite like “free.” The DU May Days Musicfest is great for several reasons: 1. The bands (the lineup is pretty solid and keeps getting better every year). 2. Free food (usually better than what you’d expect). 3. It reminds CSM students that we haven’t been in school for the past month and that DU still has another couple weeks to go.
Danielle Ate The Sandwich, Ian Cooke, & Candy Claws (5/28 at D-Note): Arvada won’t know what hit them after this show. It’s an invasion of sorts: Fort Collins folk singer-songwriter Danielle Ate The Sandwich will bring her unique ukulele styling while fellow Ft. Collinites Candy Claws play their unique style of ambient-indie-dream-pop. Ian Cooke’s amazing cello work will tie everything together quite nicely.
Hot Congress & Long Spoon block party (6/5 at Meadowlark & Larimer Lounge): This mini-music-fest showcases some of the best in what Denver’s music collectives have to offer. The lineup is ridiculously stacked and the evening’s events will feature prize giveaways and food vendors. For more information and a more in-depth preview of the block party visit the Hot Congress website.
Westword Music Showcase (6/19 in the Golden Triangle neighborhood): Westword just announced the full lineup for their annual music showcase and it is shaping up to be the don’t-miss event for June. They’re basically taking over an entire neighborhood for a day of great music and entertainment. Added bonuses this year include cheap tickets (only $15 in advance), more all-ages venues and a VIP option.
Here’s one to file under “not something you see every day.” Danielle Anderson (aka Danielle Ate The Sandwich) has taken to auctioning a variety of random items (including a toaster) on eBay with the hopes of drumming up a little capital to support her upcoming record Two Bedroom Apartment which is slated to drop on July 6. Among the items up for bids are several knick-knacks (including a Magnum P.I. breakfast tray) and costume pieces from her videos (and from the cover she did for Westword back in September). Each winner will receive a copy of the new record. Watch the video below and click here to bid.
Being on vacation is great. No work, no school, nothing to do. To fight boredom I decided to head to downtown Fort Collins for some Northern Colorado-grown folk and indie-rock on a Sunday night. Rather than writing about each band I’m just going to post a few photos from the night’s sets. Enjoy.
Danielle Ate The Sandwich
Sour Boy, Bitter Girl
Hey everyone, here are a few shows of note:
TONIGHT: Young Coyotes and Fiery Furnaces (Bluebird, 8pm). Rumored to be Young Coyotes last show, if you haven’t seen this dynamic duo yet this might be your last chance. While you’re at it, download our compilation, they’re on there with “When I Was In The Fire.”
December 4: Take, Candy Claws, & Old Radio (Lion’s Lair, 9pm). See Candy Claws live and in person (as opposed to their global internet tour). Also, Old Radio puts on quite an enjoyable show (not to mention this one is only $5, so don’t miss it). Celebrate National Cookie Day in style!
December 12: Hot Congress CD Release Show (Oriental, 8pm). A few weeks back we covered the Hot Congress Prevue Party and picked up a copy of their very first compilation. Well, now they’re giving it a proper celebration and release. Performing that night will be Achille Lauro, Vitamins, Fissure Mystic, and Action Packed Thrill Ride.
December 12: The Wheel with Houses, Bad Weather California, Snake Rattle Rattle Snake, Taun Taun and more! (Bluebird, 8pm). If there was ever a show that combined a bunch of my favorite local bands it would be this one. Unfortunately you’ll have to choose because it’s also on Dec. 12.
December 18: Flashbulb Fires CD Release Show (Hi-Dive, 10pm). We’ve got a full review of this group’s first full-length Glory coming next week and I can tell you that it is definitely worth checking out. Also playing that night: Danielle Ate The Sandwich.
December 31: Paper Bird & These United States New Year’s Party (Hi-Dive, 9pm). Ring in the New Year with a little bit Paper Bird’s brand of “joyful music.” Also rock out to the alt-indie goodness that is These United States.