Something Like Sound

Tag: Feist

6 Songs: Feist

by on Oct.21, 2010, under Blogs

Although Feist’s mainstream success (complete with an iPod commercial) may have brought her into the limelight, we haven’t heard much from the Canadian singer-songwriter since she took a break from touring a couple years ago. Here are six songs that may not be instantly familiar, but definitely remain among my personal favorites.

1. The Train Song (feat. Ben Gibbard): This cover of a Vashti Bunyan song appeared on 2009′s Dark Was The Night, a compilation made to raise awareness about HIV/AIDS. Featuring another indie-rock heavyweight (Ben Gibbard of Death Cab for Cutie), this song makes me wish Feist and Death Cab would collaborate more often.

2. Leisure Suite: I once made a playlist called “music for seducing women.” This song was the first on that list; it’s sexy, smooth and delightfully seductive. For full effect I’d suggest dimming the lights and lighting some candles.

3. So Sorry: From the breakout record The Reminder, “So Sorry” often gets ignored because it’s not a hip radio single. Simple as it may be, it this soft, simple tune is moving in its sound and lyric.

4. One Evening: Another smooth track about a random encounter, “One Evening” casts a new light on the classic story of a one night stand. What really does it for me on this song are the keys and clean guitar.

5. It’s Cool to Love Your Family: From 1999′s Monarch (a record still out-of-print despite Feist’s recent worldwide success), this song resulted in a music video and helped to launch Feist’s solo career.

6. Lo How A Rose E’re Blooming: An odd rarity from a Christmas compilation, this take on the classic hymn/carol is hauntingly beautiful and stands out as my favorite recorded version of this song.

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The Best of 2007

by on Jan.16, 2008, under "Best of" Lists

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1. Feist – The Reminder: Leslie Feist’s laid back vocals and dance-beat driven folk style gained notoriety in ’07 through several outlets. A mixture of classic sounds and catchy melodies boosted Feist’s album to the top of the list. Her unique style set her apart during an excellent year for music. Listen to “So Sorry” and “My Moon My Man.”

2. Rilo Kiley – Under The Blacklight: Two words: Jenny Lewis. The album is a great mix of dance and harmony. The rest of the band deserves equally as much praise for their effort to redesign their sound. Highlights of this album are “Under The Blacklight” and “Dreamworld.”

3. The National – Boxer: Deep, smooth, and haunting, Boxer beckons back to simple instrumentation and thought provoking lyrics, aspects of music that are often overlooked today. The album has a distinctly dark tone, tempered with sometimes cheery guitar parts. Suggested tracks: “Fake Empire” and “Ada.”

4. Radiohead – In Rainbows: Even though Radiohead’s seventh album is distinctly modern, it depends heavily on songs written during the last 10 years. This record was innovative in both delivery method and sound. “15 Step” and “Nude” are the most enjoyable tracks.

5. Bright Eyes – Cassadaga: 2007 saw a number of concept albums, and Cassadaga was one of the best. Conor Oberst’s melancholy lyrics work well with the classic folk-country sounds heard on the album. “Make A Plan To Love Me” and “Coat Check Dream Song” stretch the boundaries of the genre.

6. Against Me! – New Wave: By far the best punk album heard in recent years. A combination of politically charged lyrics and guitar driven anthems earned Against Me! a place in the top ten. Tracks “Stop” and “Thrash Unreal” should energize any situation.

7. Once Soundtrack: Simply put, independent films this past year had excellent soundtracks. “Falling Slowly” and “When Your Mind’s Made Up” are simply beautiful.

8. Band of Horses – Cease To Begin: Catchy lyrics, ambient guitar sounds and just the right amount of reverb make this album an interesting listen. The opening two tracks “Is There A Ghost?” and “Ode To LRC” are an excellent introduction to the disc.

9. Minus The Bear – Planet of Ice: Seattle is no longer a grunge town, the experimental scene has taken over and this disc shows why. The classic Minus The Bear sound can be heard on “Knights” and Dr. L’ling.”

10. Thrice – The Alchemy Index Vol. I & II: An interesting experiment in hardcore music: explore the original four elements through song. Volumes I & II cover fire and water incredibly well. “The Arsonist” and “Digital Sea” offer a unique comparison.

TOP 25 Albums

1. Feist – The Reminder

2. Rilo Kiley – Under The Blacklight

3. The National – Boxer

4. Radiohead – In Rainbows

5. Bright Eyes – Cassadaga

6. Against Me! – New Wave

7. Once Soundtrack

8. Band Of Horses – Cease To Begin

9. Minus The Bear – Planet of Ice

10. Thrice – The Alchemy Index Vol. I & II

11. The Shins – Wincing The Night Away

12. Arcade Fire – Neon Bible

13. The Snake The Cross The Crown – Cotton Teeth

14. Circa Survive – On Letting Go

15. The Frames – The Cost

16. Motion City Soundtrack – Even If It Kills Me

17. Kanye West – Graduation

18. Interpol – Our Love To Admire

19. I’m Not There Soundtrack

20. Anberlin – Cities

21. Eisley – Combinations

22. Modest Mouse – We Were Dead Before The Ship Even Sank

23. Iron & Wine – The Shepherd’s Dog

24. Wilco – Sky Blue Sky

25. John Ralston – Sorry Vampire

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Album Review: The Reminder

by on Oct.22, 2007, under Album Reviews

Leslie Feist must be doing something right. Her songs are winning awards, being featured on the new iPod Nano commercials, and rapidly gaining popularity on the adult alternative scene.

Listening to her newest album The Reminder explains this newfound fame. She sounds like Sufjan Stevens mixed with Regina Spektor, a mixture of experimental-folk and breathy female vocals.

“So Sorry” begins the album with a warm tone. Rich natural sounds, low bass notes, and dreamy ambient sounds paint the background for Feist’s gentle, yet distinct, voice.
“My Moon My Man,” a catchy piano driven number, leads into the jazzy tracks “The Park” and “The Water.” Lyrically, The Reminder is a creative exploration of young life and love.
“1-2-3-4,” the hit single, is not only entertaining as a memorable mix of solid beats and sounds, but also speaks about the unique qualities of teenage love and hope. As the album finishes, the warm sound of raw acoustic instruments makes a comeback.

The resurgence of jazz and folk as popular musical genres did not produce Feist (she actually began as a singer for a punk band). Instead this movement has caused a greater awareness and appreciation for skilled musicians who are experimenting with traditional folk.

This progression has merely emphasized the timeless quality exhibited on The Reminder and many other albums created by serious musicians.

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