Tag: Jim Mcturnan and the Kids That Killed the Man
Saturday began at the Goodwill stage with Houses. Having missed their set the previous night, I was excited to see them again. While it was certainly a worthwhile set, the previous night (and the illness which had broken out among certain Houses members) had an obvious affect on the band’s performance. Normally engaging and fun, this set seemed tired. With this slight disappointment and because we’d seen Houses so often, we headed across the street to Michelangelo’s Coffee & Wine Bar for Eleanor. An acoustic solo set, the music was fresh and relaxing. It coupled perfectly with the relaxed atmosphere of the venue, and was very enjoyable.
We continued on, next to Maudlin at Illiterate Magazine. This trio paired catchy hooks with wall-of-sound techniques for a very interesting combination. Though not a style we’d often heard, it was very enjoyable to listen to. After a brief dinner at the Walnut Room, where the sundry tones of Rob Drabkin filled the air, we continued on to Jim McTurnan and the Kids that Killed the Man. Among our favorite Denver bands, McTurnan and crew were as delightful as always on Saturday. The group’s interesting and powerful songs filled the Hi-Dive much to the delight of entertained fans.
Following McTurnan’s set, we couldn’t refuse seeing fellow-Golden residents, The Gromet. Bluesy, fun, and excited, it’s always fun to see this group. Their music matched well with the venue – The Irish Rover – and we enjoyed the 3 or 4 songs of theirs we stayed for. After the Gromet, we crossed the street to the Goodwill parking lot to see The Heyday. Always an enjoyable act to see, The Heday are certainly good at what they do. Next, we walked down to TS Board Shop for Seattle’s Tea Cozies. At first, the group intoxicated us with their charm. By the end of the 4 or 5 songs we heard them play, they had won us over with their talent and musicality.
Next, we went back to the Hi-Dive for Porlolo. Always a fun show, Porlolo certainly delivered on Saturday. Though it was their second set of the weekend, the energy Erin Roberts carries with her carried through at the Hi-Dive. After a few songs from the band, we were off to the Goodwill parking lot stage for Snake Rattle Rattle Snake. Driven by pounding beats from dual shockingly-in-sync percussionists, Snake combines dance rhythms with a walloping bass-line and passionate guitar playing and singing to great effect. The outdoor stage, however, wasn’t a great setting for this group which is more suited to a room overflowing with excited and sweaty people than a roomy, slightly cool parking lot. That aside, the set was excellent as always.
After a quick bite to eat, we entered a packed Hi-Dive to see Gregory Alan Isakov. We overheard a fan describing Isakov as “a combination of Leonard Cohen and Iron and Wine” before the show, and the performance lived up to that expectation. The music was powerful, while retaining its relaxed quality, and it was among our favorite sets of the night. Playing at the same time, at the Goodwill parking lot stage, were the Flobots. While the music the group plays is among my least favorite in the Denver (or national) scene, they certainly know how to put on a show. The parking lot was packed for the act and the audience hung on every movement of the 7-piece group. Their musicianship was more than quality and the set was a fun experience, despite my opinions on their music.
Next, we heard the end of the Radical Knitting Circle’s act at the Skylark – while not enough was heard to make a proper judgment, the group seemed interesting enough to take another look in the future. Next at the Skylark was Lubbock’s Thrift Store Cowboy. The group masterfully combined their Texas western roots with indie rock. Steel guitar was matched with traditional rock riffs and at-time haunting singing. A sound unlike anything I’d ever heard, we were surprised – very pleasantly – by the group.
Next, we continued on to the Hi-Dive for their last set of the night, The Widow’s Bane. We’d not heard of this Boulder-based group before Saturday night, but were excited to find out what they were all about. When a group, dressed as 1700s zombies came on stage, we knew seeing this set was a good idea. The group’s music was simultaneously Irish folk music and Tom Waits. The huge crowd enjoyed themselves greatly, and everyone in the Hi-Dive seemed to be dancing.
Finally, we returned to the Mayan Theater for the last set of the night – Ukulele Loki’s Gadabout Orchestra. The music was self-described “indie acoustic chamber pop,” but the act was more of a vaudeville show than anything. It included circus performers doing their acts to music, as well as singular music performances. While it was obvious that the act was very good and interesting, it was too laid back for 1:30am after a day of a music festival, and we left halfway through the act. The crowd was obviously not very into it either. It was a good idea, and a cool act, but should’ve been put at a different time.
Just like the last post, this is who I would suggest seeing at the UMS. Note that some of these bands play more than once, so there is ample opportunity to see them. Others, however, only play once, so give them priority. The full lineup is available here.
SATURDAY, JULY 24
Eleanor (Michelangelo’s, 3pm): As one of those groups with a large, orchestral feel, it’ll be interesting seeing them play in a small space like Micelangelo’s. If it’s all packed out, Houses is playing the Goodwill lot at the same time.
Jim McTurnan & The Kids That Killed The Man (Hi-Dive, 5pm): Jim and the Kids have gained some national attention (including a spot at CMJ) while figuring out how to be a 3 piece. However, cameo appearances from other local musicians are not entirely out of the question.
Tea Cozies (TS Boardshop, 6pm): I recall seeing Seattle’s Tea Cozies at Everyday Joe’s several years ago, maybe it’s time to give them another listen. Also, if you’re going to be stuck in Ft. Collins on July 23 they are playing at Road 34 with Kaiser Cartel (see previous UMS preview post) and Fierce Bad Rabbit.
Hideous Men (Indy Ink, 6:30pm): If you haven’t seen anything experimental by Saturday afternoon then you’re doing the UMS wrong. Rectify that situation with Hideous Men (and while your at it, help them out since their gear was just stolen. Night of Joy is playing a benefit show for Hideous Men July 31 at the Megahouse).
American Tomahawk (Illiterate Magazine, 7pm): If Young Coyotes and The Photo Atlas had a baby it would literally be American Tomahawk. However, don’t expect anyone in this group to be playing their normal instruments.
Consider The Raven (Moe’s BBQ, 11:55pm): Just for total transparency, I am personal friends with the Consider The Raven folks. However, that doesn’t diminish the fact that you should see them close out the night at Moe’s. Just like Friday’s final time slot, there are a few other great ways to finish Saturday: Ukulele Loki (Mayan), Dualistics (Club 404), or The Pirate Signal (The Import Warehouse).
Last year, when SLS was still in its first stages, we got a big boost from local music journalist Dave Herrera at Westword when he asked me to nominate 20 bands for the 2009 showcase. A year has passed and once again I was asked to nominate 20 local bands that had made an impression on me. In the spirit of transparency, I’m going to list the bands I nominated. I decided to choose acts I had not previously nominated.
Be sure to check out these groups (even if a few didn’t make the final list) and vote for your favorites by clicking here.
In no particular order… Tim’s picks for the 2010 Westword Music Showcase:
Gregory Alan Isakov
John Common & Blinding Flashes of Light
Jim McTurnan & The Kids That Killed The Man
Saturday night I once again found myself at the Bluebird for a farewell concert. To say that the going-away party for Everything Absent or Distorted was not a passionately epic occurance is to undermine the intentions of the entire evening.
Jim McTurnan & The Kids That Killed The Man kicked off the night to a modest (albiet, relatively small) crowd of EAoD fans dressed completely in white. Their set was solid despite being short their usual extra guitarist.
Armed with the tools of rock and roll (i.e. guitars, lots of hair, and mustaches) The Knew continued the show with their brand of music suitable for any party. Perhaps the best parts of The Knew’s set were when drummer Patrick Bowden supplemented his percussion with harmonica parts.
Finally it was time for the band everyone was there to celebrate: Everything Absent or Distorted. During the hour+ set, I am fairly certain that EAoD played every song they’ve ever written (and even a couple of covers). While tuning between songs various members took the time to pay grattitude to those who had supported the group throughout the years.
Highlights of the evening included (but are not limited to) a cover of Neutral Milk Hotel’s “Holland, 1945″ which I think may have been better than the original. A stunning and ruckus rendition of “Japanese War Tuba,” complete with a horn section that included Leanor Ortega (of Hearts of Palm / Five Iron Frenzy) and Shawn King (of Devotchka). And last, but not least, the final number: “Gospel of Slight Rust.” I found myself singing along to the haunting words:
“If you come back you can always find us”
We will be here EAoD, and if you decide to come back some day you will find us waiting, dressed in white.
Since this is the first bit of free time I’ve had since getting back from the weekend’s festivities, the review will be for both days. Similar to what I did for the Westword Music Showcase review, each band gets 50 words max.
Gregory Alan Isakov: The first set we saw all weekend was from one of Colorado’s best singer-songwriters. Gregory played a solid set, which included my favorites “Virginia May” and “Big Black Car.”
Speakeasy Tiger: We didn’t catch much of this set, but it reminded me of any number of 80′s girl-pop bands.
Lydia: It was my second time seeing this group, and I actually appreciated their set more having listened to their record. The vocals came off a little sharp, but in the end it turned out to be a well-rounded set.
Danielle Ate The Sandwich: Danielle was in her prime as she played to a packed crowd at the smallest stage. Along with her bassist Dennis, this was probably one of the best sets I’ve seen her put on.
Frightened Rabbit: Only caught a few songs there, really nothing to write home about.
The Pains of Being Pure at Heart: It was during this set that everything got soaked (and didn’t dry for the rest of the day). ‘Pains’ reminded me of The Clash mixed with a touch of the Smiths (at least Johnny Marr’s guitar tone).
OK GO: Their good song was good, although they didn’t have any treadmills in tow. It was danceable at best.
The Walkmen: Another set in the rain. I might have zoned out for a good portion of The Walkmen. They were good, but didn’t really have any songs that stood out.
M. Ward: While he did play a couple songs from Hold Time, I really wished he would’ve played more from that record. However, ending the set with “Roll Over Beethoven” had to be one of the highlights for the entire day.
Boulder Acoustic Society: We determined that these guys took all of the gypsy and punk aspects of DeVotchKa and boiled them down into pure energy.
Girl Talk: Perhaps the best set of the entire first day, Girl Talk didn’t let the rain keep things from getting good. It was like a high school dance on speed. Not only was it fun to dance to, I also found spotting where samples had come from as another layer of enjoyment.
Of Montreal: I was not prepared for what happened during this set. There were people in costumes and strange projections. It was probably equivalent to taking a bunch of acid then having a psychedelic trip. However, it was still an amazing set and a good way to end the day.
Note: We skipped Yeah Yeah Yeah’s headlining set to beat the traffic. Also, we were cold, wet, and feeling rather miserable.
A Shoreline Dream: We were at it early again the next day and caught this band’s day-opening set. It was rather odd to see such a dark, prog-rock set indoors while the noon-time sun was brightly shining outside.
Jim Mcturnan and the Kids That Killed the Man: I actually ran in to drummer John Fate the previous day and he encouraged me to catch this set. I have also determined that Mike Marchant is in every band in Denver. As far as the set went, I like how Westword described it: “Dinosaur Jr. minus ten 100 watt Marshalls, a few temper tantrums and the pretension.”
We Were Promised Jetpacks: One suggestion I have for Monolith next year is do something different with the indoor stages. We were promised a We Were Promised Jetpacks set, but were forced to wait in the lobby for most of the set since the room was at capacity. However, we did catch the amazing ending to the Broncos game while waiting there, so not all was lost.
There you have it, a review about a band that really didn’t involve the band at all. Actually what we did see was quite good.
Rahzel: I am still in awe of this man’s beat-boxing ability. He had a DJ up there with him, but often just ‘boxed the beats himself. Also, he could actually sing, not something that can be said of all rappers.
Monotonix: I really didn’t know what to expect here. It was like if Borat had a cracked out old-school punk rock band. It was definitely a highlight for the entire weekend.
The Dandy Warhols: Stoner music, ‘nough said.
The Thermals: This Portland group played through a number of mildly enthusiastic songs, including a Sonic Youth cover. Overall, the simplicity of this band had me a little bored.
HEALTH: Since I had a hard time getting any good pictures, I tried to take one that reflected how it felt to be there. A violent jumble of noise and drum beats, HEALTH’s set was unlike anything I’d ever heard. It shook me to the core, but had danceable beats at certain points.
French Horn Rebellion: I got really bored very quickly with this group. It was standard electro-pop with absolutely no attitude whatsoever.
Methodman & Redman: I’m fairly certain there was a cloud of weed-smoke floating over the amphitheater during their entire set.
Passion Pit: More dance music, although this stuff had a full band, so it was more enjoyable. However, I really could not find a way around the singer’s ridiculous falsetto, it was incredibly distracting.
Phoenix: Once again, a decent band, but no real stand-out songs. It was danceable and played well with the main stage atmosphere, but kinda fell short.
Chromeo: This Canadian duo outdid most of the other electro-pop acts in that they also played live instruments.
The Mars Volta: The headliner for the second night was not a let down in the least. The energy that singer Cedric Bixler-Zavala and guitarist Omar Rodriguez-Lopez brought to the stage had people in a frenzy. They played through a number of newer songs before playing my favorites “Drunkship of Lanterns” and “The Widow.” At one point they even played “Eunuch Provacateur,” a song from their first EP saying it was a response to the breakup of At The Drive-In.
Suggestion for how to actually sell out Monolith next year: Get At The Drive-In to reunite and play a one-time-only show.
Overall, Monolith was a good weekend, although there were several times during Saturday that I felt like going home (the weather was bringing me down). Overall there were a few gems in there, but for the most part it was a lot of hipster-dance and fairly generic rock.