So here it is. After 2 incredible days (both incredibly musical and long), it’s time to look back on what stood out at this year’s Mile High Music Festival.

Saturday

From the first set I saw, I knew it was going to be a good day. Gregory Alan Isakov was a nice way to start, a sort of maudlin Bob Dylan, with a classy approach to playing music. The good vibes kept going as I went to see Rob Drabkin play his funky brand of pop-music. I got to see most of Matt Nathanson‘s set, although I missed “Car Crash” (he played it as I walked away). I took a bit of a break to interview Big Head Todd and the Monsters, then it was time to catch the end of the Gomez set (the few songs I saw were quite enjoyable). After talking with Rob Drabkin, I caught some of Ani Difranco‘s politically-charged brand of folk music. After taking a break for some much needed shade and water, I set off to see Big Head Todd and the Monsters, and was thoroughly impressed with the solid rock music I heard there.

The rest of the day was a bit frantic. After interviewing Dead Confederate, I rushed to catch up with the photographers for the Incubus set. I enjoyed hearing “Megalomaniac,” and I thought their cover of Prince’s “Let’s Go Crazy” was the best way any band could end a set. I snuck away from Incubus for a quick listen at G. Love and Special Sauce, and I thought his hip-hop inspired alternative rock sound played well with the mood that afternoon. The lighting for photography was excellent as the sun set and Ben Harper and Relentless7 took the stage (anyone who can play lap steel that well has my respect).

I caught some of The Black Keys, although not enough to really get a grasp for their sound. Tool was interesting. I’m glad to say I’ve seen them (as are most of the people who were there), I was simply not a fan of their photo policy. Sure, they haven’t played a show in a few years, and this was a big event, but a little more humility would have gone a long way. Other than that, it certainly was trippy (the audio/visual experience was really indescribable).

Widespread Panic was definitely a good way to end the night. The down to earth, organic sounds those “old guys” made were simply mind-blowing. I doubt I have ever seen such amazing musicianship. Their set, however, was at the end of what was a very long day. So I stayed as long as I could, but soon had to head home to rest up for day 2.

Sunday

If I thought Saturday was packed, I didn’t even see Sunday coming. Straight out of the gates I saw alterna-rockers Strange Condition (first time I saw them play since opening for Love.45 4 or 5 years ago). It was a little too rowdy for a Sunday morning. Paper Bird was definitely what I was looking for. Self described as makers of “joyful” music, I was certainly feeling good listening to their beautiful harmonies and folk instruments. Honeyhoney was also a nice surprise, although I must say that they should consider picking up a few more band members, it would make for a better live set.

I listened to the first part of Jack’s Mannequin and they played the 3 songs of theirs I really like, so I was content with it. From contentment to utter amazement, my demeanour changed as I watched Dead Confederate unleash a wave of sound. Their grunge-tinged southern rock was what really woke me  up that day. I proceeded to see Jet play through a number of catchy tunes, and I stuck around just long enough to hear “Are You Gonna Be My Girl?” I took some time off to recharge my batteries (both electrically and phyically), and do an interview with Paper Bird. I wandered a bit, catching some of Gogol Bordello, then headed off to see Buddy Guy.

It’s not every day that you can say you saw a blues legend. Buddy Guy certainly held up his reputation as he interwove raspy vocals with blues guitar. He was incredibly animated as he sang songs that unfolded more like stories from a book. I left a little early so I could catch DeVotcKa play some of their gypsy-inspired folk music. I found their use of theremin to be absolutely charming. Up next was the sexy, smooth dance beats of Thievery Corporation (I stayed long enough to hear “Lebanese Blonde” then I was off again. I tried to get in to 3Oh!3, but it was simply too packed. I ended up at Robert Randolph & The Family Band, and once again was impressed by the steel guitar. At this point I took another break to hydrate and prepare for the barrage that was the rest of the day.

I briefly saw Matisyahu and Gov’t Mule before ending up at Pepper. The storm clouds by this point were looking rather ominous, everyone was praying for the storm to pass. Pepper began to play, the wind picked up and the crowd rocked out. Fortunately the storm quickly turned south and there was no serious rainfall. Finally it was time for The Fray. Going in to the festival weekend I had my doubts about this group. My presumptions quickly faded away as they took the stage. Not only were they right-on music-wise, but also visually. Their set (which I believe they bought from U2) was absolutely stunning, with lights matching the mood of the music incredibly well. As The Fray finished up I decided to head home (I opted to skip Widespread Panic’s Sunday set, since I was simply exhausted and had seen them the night before).

So what’s the takeaway? Denver is a music city, with some rather eclectic tastes. It makes sense that the Mile High Music Festival would have the lineup it had, because it reflects well on the city’s roots. Throughout the entire weekend, the experience was colorful and uniquely Coloradoan.

Paper Bird

HoneyHoney

Jack’s Mannequin

Dead Confederate

Jet

Buddy Guy

Devotchka

Thievery Corporation

Gov’t Mule

Pepper

The Fray

All photos by Tim Weilert