Something Like Sound

When classes ended at the Colorado School of Mines in May of 2009 we got a wild idea: let’s curate a compilation of our favorite local acts and give it away for free! Over the span of 6 months we managed to gather a group of songs that reflect the diversity and quality of the Denver music scene. It is my hope that everyone can find a track that they enjoy on this compilation and discover something wonderful and new. Please support the artists who contributed by purchasing their music and attending their concerts.

Track List

1. The Photo Atlas – “Jealous Teeth”

2. The Epilogues – “King Arthur”

3. Dualistics – “Last Call”

4. The Heyday – “Come In Or Stay Out”

5. Red Fox Run – “Remembering”

6. Young Coyotes – “When I Was In The Fire”

7. Houses – “We’re Alright”

8. Hello Kavita – “Sunday (It’s A Chrome Tide)”

9. Rob Drabkin – “Sweet Things”

10. Danielle Ate The Sandwich – “Handsome Girl”

11. Paper Bird – “St. Louis”

DOWNLOAD COLORADO SOUNDS

This review, like most things on this blog, will be multi-faceted. I’m going to try and cover the areas of live music review, overall social context, and public transportation.

To begin, I was fortunate enough to get 2 press passes to Warped Tour (unlike most of the other festivals this summer), so I brought along my friend and photographer, Patrick. Pat and I left Golden bright and early via the bus and, after getting on a bus that didn’t stop at Mile High, but went all the way to Auraria, arrived at Warped in time to get our passes, and see the first acts of the day.

Initially we ran all over the place, catching half a song here and there; just enough to get a couple decent photos. During this time we saw Chiodos, who managed to get a fairly energetic crowd for 11 am on a Sunday. More wandering and we caught a little bit of local band Vices I Admire, then it was off to Bayside.

Bayside put on a great set (it was also the first set that we stuck around for), starting things out with a NOFX cover, then moving in to some material from their Walking Wounded album. We tried to see Single File, but the crowds were just too much for the small stage they were playing, so we ended up seeing The Epilogues finish out the last couple of songs from their set.

We started kicking it old school with The Bouncing Souls. For a 20-year-old band, these guys certainly did not let age get in the way of putting on an energetic set of punk rock. At the urging of an enthusiastic guy in the press area, we decided to see Tat, a British group with a female lead. Their music did not dissapoint and the overall set was quite fun.

Up next was probably my favorite act for the entire day: Rev. Peyton’s Big Damn Band. Armed with a few resonators, a washboard, and a drum kit, the “big” band certainly knew how to play to the crowd. Rev. Peyton himself was such a character, the kind of guy you’d expect to see running a great BBQ joint some place in the South, but with enough attitude to still come across as a bit of a punk.

Another highlight had to be Bad Religion. Another band that has been around much longer than most of the tour’s patrons have been alive, Bad Religion appeared to be entirely comfortable and connected with the stage and the crowd. After they played “Sorrow” Pat and I headed over to see Big D and the Kids Table. We saw a lot of ska that day, but nobody else had their own backup dancers.

Underoath is one of those bands that all of my hardcore-music friends are in to. I decided I might as well give them a chance, and while their brand of heavy-hitting music played well with the audience, I was quickly ready for something else. Fortunately there was more great ska readily available at Streetlight Manifesto. With one of the most energetic brass sections I’ve seen in years, Streetlight gathered a crowd, then got it moving.

Alright, one more ska band, I promise. Less Than Jake was next, and their set reminded me a little bit of seeing Goldfinger back at E-days in ’08. It was rude punk/ska, ’nuff said. Finally it was time for the big hometown closers: 3Oh!3.

The clouds rolled in and lightning struck in the distance as the set began. Soon a few drops began to fall, until it became an all-out deluge of hail and rain. The band played on. Pat and I sought shelter, 3Oh!3 played through “Don’t Trust Me,” then the set was cut short. See our video of people running away in the rain to get a better feel. Other than the weather, the music was pretty decent, and everyone there was dancing, well done boys.

Now for the discussion on public transport. In our haste to get out of there Pat and I hopped on the first bus with the correct route number, not knowing it only went about 3/4 of the way. We found ourselves on west Colfax in the middle of the night; fortunately we have friends who graciously came to pick us up. The point is: RTD, while very useful, doesn’t have the most user-friendly routes on the west side of town, so be sure you know where your bus is going before you get on.

Ok, one last topic: the social context. I am really not that old (I was born in the late 80′s), but I felt old just being surrounded by thousands of teens all dressed in their Hot Topic clothing and (ususally) ridiculous hairstyles. Perhaps it’s my own tastes/views or just the current trends, but all the kids looked the same, and most of the pop bands they were there to see sounded the same (remember we stuck to the old school bands, not the newer pop bands).

In closing, I will say I had an excellent time at Warped Tour this year. I attribute this mostly to the fact that there were so many solid, older bands at the core of the festival to provide some actual musical value. Bad Religion, Bouncing Souls, etc.: these are the bands that have been going at it for decades, they are seasoned road-warriors and punk legends, it was almost awe-inspiring to see them practice their trade in a parking lot in the Queen City.

Here are the photos I took yesterday, expect to see Pat’s (superior) photos tomorrow.

Bayside

The Epilogues

The Bouncing Souls

Tat

Rev. Peyton’s Big Damn Band

Bad Religion

Big D and the Kids Table

Underoath

Streetlight Manifesto

Less Than Jake

3Oh!3

Photos by Tim Weilert

Official Vans Warped Tour Poster // Brian Ewing

Our preview coverage continues! Here are some more bands that you shouldn’t miss at Warped this year.

Bad Religion: These guys were around before most of the young people who will be attending this year’s festival were born. They’ve stayed pretty true to their punk roots and sound.

The Epilogues: We got word the other day that this Denver-based pop-rock group will be playing the Ernie Ball stage. We recently reviewed their album (so scroll down the page a bit to see that)

Regret Night: Another band that won one of those locals contests. Although their music is fairly standard modern-pop, they are apparently good enough to get on the Denver date.

Rev. Peyton’s Big Damn Band: Part country, part attitude, Rev. Peyton packs a bang. This should be a good switch up for those who don’t care much for all that poppy teenager music.

Bayside: Ever since their 2005 self-titled album, I’ve loved Bayside and their subsequent works. Definitely a good mix of punk and post-hardcore.

Hey everybody, look! Spencer’s helping me out while he’s in Texas

My summer has me placed in the armpit of Texas where the local music scene appears to be as diverse as the monotonous, muggy weather. A nice bit of relief from the Texas country that is so prevalent (no offense) came from a band that strove from the beginning to be unique. The Epilogues, a fixture of the Denver music scene for the last few years, set out with a different take on music. Their combination of synth, guitar riffs, and dance beats has achieved and surpassed their goal of a new, different style that is just as good as it is separated.

The Beautiful, The Terrifying starts with arguably their best song. Unashamed of their synth melodies, the song, “King Arthur,” is driven by the varied, yet simple tune. The rest of the album falls close to “King Arthur” in tempo and instrumentation. Synth and the guitar mutually support each other in forming the backbone for The Epilogues. Both vary in tone, style, and strength with each song. While one or the other tends to fall into the background when most bands mix guitars and synth, The Epilogues manage to keep both equal. Vocally, The Epilogues are also rather unique. It takes a bit to get used to his lispy vocals, but it’s hardly noticed when you pay attention to the music.

Also, The Epilogues put on a lively show that should never be passed up. Their lively dance beats keep every song moving and fun.

Tim’s Note: Be sure to check them out at The UMS 7pm on Sunday at TS Board Shop.